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Love the eclectic mix of things here, Steve--have only gotten through part of it. I'm not familiar enough with Porcupine Tree to call myself a fan, but love some of their (his) stuff, and I also like the backstory, which is pretty amusing. Did not know about Wilson's stuff under his own name--that's a gorgeous piece, and yes, the dancers are great. In both the music and the dance, I got influences of Dubstep, but cranked up a notch and more emotive.

My brother sends me a lot of clips of young musicians making loop tracks at home--there is a huge amount of talent out there. The question is how they will be able to support themselves doing this--I think the jury is out on the evolving music economy. Elise is talented, for sure!

Played the McHenry interview--that's interesting, but I'm skeptical of the "music as sign of identity" part. For me it certainly wasn't--I loved my parents' music and shared my music with them--my mom was much more open than my dad. I was too much of a social outlier for it even to occur to me that music taste was tribal. I just kept trying to get my Manilow-loving friends to check out Deep Purple, and got no-fucking-where with THAT. But I do fit his demographic of the older male voraciously seeking out new music--to the point where it's getting in the way of other responsibilities!

Great article.

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Thanks, Charles! Glad you enjoyed checking out the myriad of bits and bobs! Steven Wilson has not only created a ton of challenging/evocative/expansive music but has remixed tons of great albums, bringing out even more layers to the music. It has tempted me to get a 5:1 stereo system but I do try to live by the credo I mentioned-- live simply to simply live --or some nonsense like that.🤓

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